Ir-Vothiam - Revision history

Damiel: /* Tu'an */

2021-05-30T11:20:02Z

Tu'an

← Older revision		Revision as of 11:20, 30 May 2021
Line 48:		Line 48:
	This style is the most recognizable by those outside of Jin culture. It is a modified tradition developed through diplomacy, as those of the Ark shared with their newfound allies of Scatterhome. Combining aspects of the other traditions, it is a very basic introduction to Ir-Vothiam that true practitioners would equate to learning the alphabet rather than composing poetry.		This style is the most recognizable by those outside of Jin culture. It is a modified tradition developed through diplomacy, as those of the Ark shared with their newfound allies of Scatterhome. Combining aspects of the other traditions, it is a very basic introduction to Ir-Vothiam that true practitioners would equate to learning the alphabet rather than composing poetry.

	====Tu'an====		====[[Tu'an]]====
	This is the term used for specific transitions between vozhen, which teach application or choreographic technical displays. Traditional Jin theater performances tend to meld the retelling of historical stories, with the beautiful movements of Tek-Vothiam.		This is the term used for specific transitions between vozhen, which teach application or choreographic technical displays. Traditional Jin theater performances tend to meld the retelling of historical stories, with the beautiful movements of Tek-Vothiam.

Damiel: /* Tu'an 'Patterns' */

2021-05-30T11:19:48Z

Tu'an 'Patterns'

← Older revision		Revision as of 11:19, 30 May 2021
Line 48:		Line 48:
	This style is the most recognizable by those outside of Jin culture. It is a modified tradition developed through diplomacy, as those of the Ark shared with their newfound allies of Scatterhome. Combining aspects of the other traditions, it is a very basic introduction to Ir-Vothiam that true practitioners would equate to learning the alphabet rather than composing poetry.		This style is the most recognizable by those outside of Jin culture. It is a modified tradition developed through diplomacy, as those of the Ark shared with their newfound allies of Scatterhome. Combining aspects of the other traditions, it is a very basic introduction to Ir-Vothiam that true practitioners would equate to learning the alphabet rather than composing poetry.

	====Tu'an ~~'Patterns'~~====		====Tu'an====
	This is the term used for specific transitions between vozhen, which teach application or choreographic technical displays. Traditional Jin theater performances tend to meld the retelling of historical stories, with the beautiful movements of Tek-Vothiam.		This is the term used for specific transitions between vozhen, which teach application or choreographic technical displays. Traditional Jin theater performances tend to meld the retelling of historical stories, with the beautiful movements of Tek-Vothiam.

Damiel at 11:19, 30 May 2021

2021-05-30T11:19:33Z

← Older revision		Revision as of 11:19, 30 May 2021
Line 49:		Line 49:

	====Tu'an 'Patterns'====		====Tu'an 'Patterns'====
	This is the term used for specific transitions between vozhen, which teach application or choreographic technical displays. ~~This is where the term [[Pattern Play]] comes from - traditional~~ Jin theater performances ~~which~~ meld the retelling of historical stories, with the beautiful movements of Tek-Vothiam.		This is the term used for specific transitions between vozhen, which teach application or choreographic technical displays. Traditional Jin theater performances tend to meld the retelling of historical stories, with the beautiful movements of Tek-Vothiam.

	'''[[Ir-Enzhi]]''' <br/>		'''[[Ir-Enzhi]]''' <br/>

Damiel at 10:44, 30 May 2021

2021-05-30T10:44:25Z

← Older revision		Revision as of 10:44, 30 May 2021
Line 49:		Line 49:

	====Tu'an 'Patterns'====		====Tu'an 'Patterns'====
	This is the term used for specific transitions between vozhen, which teach application or choreographic technical displays. This is where the term [[Pattern ~~Plays~~]] comes from - traditional Jin theater performances which meld the retelling of historical stories, with the beautiful movements of Tek-Vothiam.		This is the term used for specific transitions between vozhen, which teach application or choreographic technical displays. This is where the term [[Pattern Play]] comes from - traditional Jin theater performances which meld the retelling of historical stories, with the beautiful movements of Tek-Vothiam.

	'''[[Ir-Enzhi]]''' <br/>		'''[[Ir-Enzhi]]''' <br/>

Damiel: /* Tek-Vothiam (the physical aspect of Ir-Vothiam) */

2021-05-30T10:36:52Z

Tek-Vothiam (the physical aspect of Ir-Vothiam)

← Older revision		Revision as of 10:36, 30 May 2021
Line 4:		Line 4:

	==Tek-Vothiam (the physical aspect of Ir-Vothiam)==		==Tek-Vothiam (the physical aspect of Ir-Vothiam)==
	Tek-Vothiam involves two branches which must be simultaneously mastered: the individual practice known generally as [[Invoth]] and a grappling-based close-combat discipline known as [[Exvoth]].		[[Tek-Vothiam]] involves two branches which must be simultaneously mastered: the individual practice known generally as [[Invoth]] and a grappling-based close-combat discipline known as [[Exvoth]].

	====[[Invoth]]====		====[[Invoth]]====

Damiel at 10:30, 30 May 2021

2021-05-30T10:30:08Z

@@ Line 4: / Line 4: @@
 ==Tek-Vothiam (the physical aspect of Ir-Vothiam)==
-Tek-Vothiam is a grappling-based discipline, mainly focused on joint locks and personal defense. More advanced Tek-Vothiam may also involve staffs and eventually swords with which to take part in combat, but the requisite spiritual understanding must be demonstrated before this is permitted, just as the body must be disciplined in Tek-Vothiam before certain stages of spiritual learning are allowed to take place.
+Tek-Vothiam involves two branches which must be simultaneously mastered: the individual practice known generally as [[Invoth]] and a grappling-based close-combat discipline known as [[Exvoth]].
 ==Eit-Vothiam (the spiritual aspect of Ir-Vothiam)==

Damiel at 20:26, 26 April 2021

2021-04-26T20:26:03Z

← Older revision		Revision as of 20:26, 26 April 2021
Line 30:		Line 30:
	Death is of the utmost importance and is the focus of Eit-Vothiam. It is the great changer, the thing that makes sure that life does not remain static, stagnant, fixed. Continual, unchanging self-replication is a zombie-like living death of sameness and stagnation; the freshness and newness of each individual born, who dies to make way for another unique being, is eternally changing life through death.		Death is of the utmost importance and is the focus of Eit-Vothiam. It is the great changer, the thing that makes sure that life does not remain static, stagnant, fixed. Continual, unchanging self-replication is a zombie-like living death of sameness and stagnation; the freshness and newness of each individual born, who dies to make way for another unique being, is eternally changing life through death.

	Closing the normal eyes to hone the deatheye's vision of the world, in a special meditative position called '[[Ikvaya]]' is regarded as being a great motivator on life's path: an awareness of the reality and inevitability of one’s personal death can be a fantastic energizer, releasing unsuspected level of motivation for radical change.		Closing the normal eyes to hone the deatheye's vision of the world, in a special meditative position called '[[Ikvaya]]' is regarded as being a great motivator on life's path: an awareness of the reality and inevitability of one’s personal death can be a fantastic energizer, releasing unsuspected level of motivation for radical change.

			==[[Gei-Vothiam]]==
			Gei-Vothiam is a traditional form of meditative body painting, and is a part of Eit-Vothiam. A practitioner may paint their own body, or may paint the body of a partner or paid model. The paint is most commonly applied to the back, and sometimes the chest. The limbs and head are not used. The painting is generally representational, with landscapes or flowers being the most common subjects. There is a current trend among the refugees in the Starmourn sector to do abstract paintings instead, though this is scorned by traditionalists. As with all things in Ir-Vothiam, the paintings demonstrate that life is beautiful, but transient, and destruction should be embraced so that one may begin anew.

	[[Category:Jin]]		[[Category:Jin]]
	[[Category:Culture]]		[[Category:Culture]]

Damiel: Created

2021-01-14T19:32:15Z

Created

@@ Line 1: / Line 1: @@
-Ir-Vothiam is the traditional martial art of the Jin people.  It is a grappling-based discipline, focused on joint locks and personal defense.
+'''Ir-Vothiam''' is the traditional martial art of the [[Jin]] people. It is both a physical and spiritual art and can take many, many decades to become a revered master of the form entitled only then to be known by the title '[[Kivatha]]'.
 [[Category:Jin]]
 [[Category:Culture]]

Laura at 17:16, 14 January 2021

2021-01-14T17:16:46Z

← Older revision		Revision as of 17:16, 14 January 2021
Line 1:		Line 1:
	Ir-Vothiam is the traditional martial art of the Jin people. It is a grappling-based discipline, focused on joint locks and personal defense.		Ir-Vothiam is the traditional martial art of the Jin people. It is a grappling-based discipline, focused on joint locks and personal defense.

	[[Category:~~Amaians~~]]		[[Category:Jin]]
	[[Category:Culture]]		[[Category:Culture]]

Laura: Created page with "Ir-Vothiam is the traditional martial art of the Jin people. It is a grappling-based discipline, focused on joint locks and personal defense. Category:Amaians Category..."

2021-01-14T17:16:39Z

Created page with "Ir-Vothiam is the traditional martial art of the Jin people. It is a grappling-based discipline, focused on joint locks and personal defense. Category:Amaians Category..."

New page

Ir-Vothiam is the traditional martial art of the Jin people. It is a grappling-based discipline, focused on joint locks and personal defense.

[[Category:Amaians]]
[[Category:Culture]]